Our altar window was dedicated to Mrs. Louise Hopper, wife of our long time rector, the Rev. Eugene Hopper. I’d like to provide you with a short description of the window as Charles Connick envisioned it in 1948, and the Memorial Committee agreed to in 1949. The window was paid for by the people of St. James.
Title: The Welcoming Christ
Installed: 1950
Order of Installation: first stained glass window in our 1927 church building
Location: above the altar in the chancel area of the nave
Type: one grisaille window having three panels, lancet type with tracery
Description: “… with Angels of Praise and Prayer holding trumpet and censer at either side. In the smaller medallion shapes are well known Christians symbols. Below Christ, the Chi Rho monogram, and the Alpha and Omega (can be seen). At one side, the Crown and Scepter, of Christ’s heavenly reign, the Anchor Cross of Hope; and at the top, the Rose of Messianic Promise. This is balanced by the Crown of Thorns; and Candle, the Light of the World; and the Pomegranate, ancient symbol of the Resurrection. The growing foliated vine is entwined through pure blue fields, enriched with the stars of Divine Steadfastness.”
The Connick Studios were known for their use of vibrant colors. We see these prominently displayed in Mrs. Hopper’s window. “The blues symbolizes eternity, Heaven itself, and the steadfastness of enduring loyalty that in our speech today we call “True Blue.” The greens remind us of hope, springtime, youth and victory. Gold, the medieval masters said symbolizes spiritual treasurers, worthy achievement and the good life. The violets symbolize justice, mystery, plain, and penitence. White forms a beautiful background for shimmering silver, the symbol of faith, of the light of truth, of peace and serenity. These color meanings are the hallmark of the Connick Studios and are repeated throughout our collection.
My next article will introduce you to Rev. Hopper’s window, which was the last stained glass window to be installed in our 1927 building.
